Fine Art & Antiques Sale

THURSDAY 31ST AUGUST 2006
SALE COMMENCES AT 10.30AM

VIEWING: TUESDAY 29TH AUGUST FROM 2PM TO 7PM, WEDNESDAY 30TH AUG FROM 9AM TO 5PM AND THURSDAY 31ST AUGUST ( THE SALE DAY) FROM 9AM TO 10.30AM

To view a printable version of our catalogue Click Here

Furniture Group	Lots: 128, 131, 133, 144, 145, 146	Lot: 228	Lot: 303
Lot: 206

LOTS

1 A DIXONS THREE PIECE BATCHELOR TEASET, c.1890, Aesthetic Movement design of Eastern influence, ivory insulators (3) 50-70
2 A CASED PAIR OF FISH SERVERS, c.1880, polished agate handles, pierced plated blades 50-80
3 A PAIR OF CAFE AU LAIT POTS, Sheffield plated, ovoid shapes (2) 40-60
4 A RECTANGULAR TRAY, twin handled flat chased, Edwardian, length 60cm 100-120
5 A CLARET JUG, c.1860, clear cut body, rococo foliate mount 120-150
6 A CLARET JUG, of classical Greek shape, engraved anthenia, armorial and presentation inscription, George Angel, London 1874 250-350
7 A CIRCULAR SHAPED SALVER, rococo engraved on scrolled feet, contemporary inscription 'Tower Hamlets' London 1871 120-150
8 A GEORGIAN STYLE DOUBLE INKSTANDISH, reeded border, maker Davis, Birmingham 1912 200-300
9 A CASED CORKSCREW OF HUNTING INTEREST, the handpiece formed as a Fox with ruby coloured eyes, maker G.W.L & Co, Birmingham 1933, (replacement screw) 80-120
10 A CIRCULAR SALVER, scroll border and engraved bed, maker W.M & S, Sheffield 1897 120-150
11 A CLARET JUG, clear hobnail cut glass of tapered form, the mount Walker & Hall, Sheffield 1913 100-120
12 A WILLIAM COMYNS INKSTAND, gadroon finial, ogee hinged lid, weighted circular base, London 1905 70-100
13 A CHARLES CHESTERMAN HELMET SHAPED CREAM JUG, c.1790, bright cut engraved heraldry, London, (indistinct date cypher 120-150
14 A FOUR PIECE TEASET, fluted shape, teapot, stand, cream jug and sugar basin, maker T.B & S, Sheffield 1920 (4) 150-200
15 A MAPPIN & WEBB COVERED VASE, urn finial, tendrill handles, collet base, London 1919 180-220
16 A PAIR OF SUGAR NIPS, mid 18th Century, scroll thumbpieces, shell bowls, maker Ebenezer Coker 50-70
17 A CASED CONDIMENT SET, of six pieces (three unassociated spoons), Sheffield 1918 70-90
18 A TORTOISESHELL TABLE CIGARETTE CASKET, silver mounted, Birmingham 1926, (2cm lid split) 150-180
19 A NOVELTY SMOKERS COMPANION, comprising vesta stand formed as a miniature wash jug and ashtray formed as a wash bowl, maker J.W, Birmingham 1892 (2) 50-80
20 A SCOTTISH FIDDLE PATTERN LADLE, maker J (?) & W.M, Edinburgh 1827 80-120
21 A PAIR OF GEORGIAN TABLE SPOONS, bright cut engraved, gilt shell bowls, and a casting ladle, London 1783 (3) 40-60
22 A FOUR PIECE TEASET, circular shapes, maker T.S, Birmingham 1931/32 (4) 120-150
23 A CREAM JUG, pyriform, double 'C' scroll handle, Anne Smith and Nathaniel Appleton, London 1768 80-120
24 A CREAM JUG AND SUGAR BOWL, Georgian style, Birmingham 1933/34 (2) 70-90
25 A WALKER & HALL CIRCULAR SALVER, Bath edge, Sheffield 1939 120-150
26 A GOLDSMITHS ALLIANCE PRESENTATION TANKARD, of bombe form with bright cut engraving, double 'C' scroll handle, London 1867, in tooled morocco case 150-180
27 A PAIR OF AUSTRO-HUNGARIAN SILVER CIRCULAR BOWLS, c.1910, makers mark L.M, diameter 15cm (2) 60-80
28 AN AUSTRIAN SILVER SMALL SALVER, cast foliate border, 20th Century, stamped 800 standard, diameter 25cm 50-80
29 AN AUSTRO-HUNGARIAN SILVER SHAPED SHALLOW DISH, with pie-crust edge and hammered finish, c.1915, stamped 800 standard, maker A.P, diameter 25.5cm 50-80
30 AN AUSTRO-HUNGARIAN SILVER OVAL DISH, with beaded rim, c.1915, length 21cm 30-50
31 AN AUSTRO-HUNGARIAN SILVER PIERCED LOZENGE SHAPED DISH, c.1915, stamped standard, maker A.P, length 24cm 40-60
32 AN AUSTRO-HUNGARIAN SILVER CHAMBERSTICK, of lobed rococo form, hallmarked Vienna 1838, maker STM, diameter of base 12cm 80-100
33 A SUITE OF AUSTRO-HUNGARIAN SILVER GILT FLATWARE, c.1910, scrolled and foliate decoration, maker L. Janesich, comprising of twelve dinner knives and forks, and twelve tea spoons (36) 300-400
34 A PART CANTEEN OF AUSTRO-HUNGARIAN SILVER FLATWARE, c.1920, the handles of hour glass design, maker JB, comprising eleven dinner knives, eleven dinner forks and six grapefruit spoons (35) 150-250
35 A SILVER AND GREEN ENAMEL SQUARE COMPACT, engine turned starburst decoration, Birmingham 1941, maker Lanson Ltd, width 7cm 30-40
36 A SILVER AND GREEN ENAMEL CIRCULAR COMPACT, engine turned starburst decoration, Birmingham 1935, maker Lanson Ltd, diameter 7cm 30-50
37 A SET OF FOUR AUSTRIAN SILVER PIERCED NUT DISHES, repousse fruit decoration, first half od the 20th Century, stamped 800 standard, maker VMS, dish length 8.5cm (4) 40-60
38 A COMPREHENSIVE MATCHED FACETTED GLASS DRESSING TABLE SET, with Austro-Hungarian and Austrian silver covers and mounts, c.1920, engraved monogram, comprising two brushes, scent bottle, seven toilet jars and pin dish (some chips to the glass minor dents to silver) (10) 100-150
39 AN AUSTRO-HUNGARIAN SILVER FRAMED EASEL BACKED DRESSING TABLE MIRROR, repousse scrolled decoration and floral swags, hallmarked Vienna, indistinct date possibly 1846, maker WM, height 56cm x maximun width 56cm, plate replaced, minor dents and damage to swags) 180-220
40 A SILVER SQUARE COMPACT, engine turned decoration, Birmingham 1943, together with two silver vesta cases, one enamelled in green (3) 40-60
41 A SILVER AND GREEN ENAMEL COSMETICS CASE, engine turned sunburst decoration, Birmingham 30-40
42 A SILVER PHOTOGRAPH FRAME, Art Nouveau, oval, Birmingham 1910, height 19cm 40-60
43 A QUATREFOIL WAITER, early Georgian style, Britannia standard Carringtons, London 1927 150-180
44 A PAIR OF CANDLESTICKS, loaded classical columns, London 1904, height 11cm (2) 80-120
45 A TWIN HANDLED DESSERT BASKET, on cast foliate feet, Robinson Hawkins and Aston, Birmingham 1840 250-300
46 A TWIN HANDLED TAZZA, a spool base, London 1907 250-300
47 A FIVE PIECE TEA AND COFFEE SERVICE, rectangular bright cut, Birmingham 1921-22, teapot, coffee pot, hot water jug, sugar and cream (5) 600-800
48 A WALKER & HALL INKSTAND, single clear cut glass silver mounted vessel, London 1904 150-180
49 A VINERS THREE PIECE TEASET, circular shapes, Sheffield 1937 (3) 150-180
50 AN OVOID CLEAR CUT GLASS SCENT BOTTLE, the mount Birmingham 1919 100-150

51 A TAZZA, weighted base, Birmingham 1920 70-90
52 A CREAM JUG AND SUGAR BOWL, hexagonal plinths, Birmingham 1912 (2) 70-100
53 A SELECTION OF FIVE VARIOUS TABLE SPOONS, Georgian, Victorian and later (5) 40-50
54 A PAIR OF TWIN HANDLED VASES, on square plinths, Birmingham 1937 (2) 50-70
55 A LIVERPOOL PAIR CASE WATCH, Arabic enamel dial, the casework Birmingham 1812, the movement signed 'Champion, Liverpool, No.1700' 150-180
56 A DEACON BARTON IN THE BEANS PAIR CASE WATCH, Roman enamel dial, the casework London 1844, the movement signed 'Deacon, Barton, No.4086' 150-180
57 A GENTS ROLEX OYSTER WRISTWATCH, c.1950's, all stainless steel, with a 9ct 1930's square dial gents wristwatch and a gents ARSA base metal wristwatch (3) 150-250
58 A GENTS 18CT GARRARD WRISTWATCH, c.1970, square dial, (cased) and another Garrard wristwatch (2) 100-150
59 A LADIES 9CT COCKTAIL WRISTWATCH, c.1930's, rectangular dial with champleve enamelled border (cased) 60-80
60 A GENTS ROLEX OYSTER WRISTWATCH, c.1960, (on a replacement expanding strap) 200-300
61 A CARRIAGE TIMEPIECE, European second half of the 19th Century, topwind, niello casework of sporting equestrian subjects, enamel Roman dial with subsidary seconds dial, signed 'Regulateur' 500-800
62 A GENTS 9CT HALF HUNTER POCKET WATCH, topwind, the casework Birmingham 1913 80-100
63 A GENTS ELGIN HALF HUNTER POCKET WATCH, topwind, keystone casework 40-50
64 A GENTS CHRONOGRAPH POCKET WATCH, enamel dial, the casework Chester 1896, (loop missing) with stand 40-50
65 A RECENT 9CT LADIES ROTARY WRISTWATCH, (cased) 80-100
66 A GENTS ROLEX OYSTER PERPETUAL WRISTWATCH, stainless steel face and strap 250-350
67 A GENTS CHRONOGRAPH POCKET WATCH, enamel Roman dial, the casework Chester 1889, (key) 50-70
68 A RECENT 18CT THREE STONE DIAMOND RING, (approximately 1ct total weight) 400-500
69 AN 18CT THREE STONE DIAMOND RING, Birmingham 1966, platinum set, (approximately 50pts in total) 100-120
70 AN 18CT EMERALD AND DIAMOND CLUSTER RING, London 1975 300-400
71 AN 18CT THREE STONE RING, sapphire flanked by a diamond each side, (approximately 40pts) 300-500
72 A PAIR OF 18CT WHITE GOLD EARRINGS, of early 20th Century, of penduloque form, set emeralds and diamonds (2) 250-350
73 A 15CT HALF HOOP RING, set rubies, opals and pearls, Birmingham 1899 50-70
74 A LATE GEORGIAN RING, domed closed back, set coral cabachon and half pearls 40-60
75 AN 18CT WHITE GOLD GENTS SIGNET RING, set single solitaire diamond, (approximately 1.3ct total weight) 1200-1500
76 AN 18CT BUCKLE RING, set with an opal, Chester 1880 60-80
77 AN 18CT THREE STONE RING, c.1930's, diamond set in platinum heart-shaped settings 60-80
78 AN 18CT FIVE STONE RING, set three sapphires and two diamonds, rub-over settings, (approximately 30pts diamonds) 80-100
79 AN 18CT GOLD DIAMOND CLUSTER RING, (approximately 2ct in total) 280-350
80 AN 18CT WHITE GOLD HALF HOOP ETERNITY RING, of eleven diamonds, London marks (approximately 1/2ct in total) 80-100
81 AN 18CT PLATINUM DIAMOND RING, diamond shoulders 300-350
82 AN 18CT HALF HOOP DIAMOND ETERNITY RING 80-100
83 A PAIR OF RECENT SOLITAIRE DIAMOND EARRINGS, set in 18ct white gold, (approximately 1/2ct each) 450-550
84 A PAIR OF RECENT SOLITAIRE DIAMOND EARRINGS, and a matching pendant on a chain, all set in 18ct gold, (approximately 25pts each chanel) (3) 150-180
85 A RECENT 18CT HALF HOOP ETERNITY RING, chanel set with seven princess cut diamonds, (approximately 1ct total weight) 350-450
86 A RECENT SOLITAIRE DIAMOND PENDANT, (approximately 50pts) set in 9ct white gold on a fine white gold chain 180-220
87 A RECENT UNMARKED WHITE GOLD RING, set with eight small diamonds, (approximately 40pts in total) 80-120
88 TWO RECENT 18CT WHITE GOLD PENDANTS, one set with sapphires and c.z., ther other with c.z's (2) 80-100
89 A PAIR OF C.Z SET HOOP EARRINGS, set in gold, and a 9ct gold locket on chain (3) 100-120
90 A RECENT 9CT THREE STONE DIAMOND RING, (approximately 40-45pts in total) 80-100
91 A RECENT 9CT CHANEL SET HALF HOOP RING, set five brown diamonds interspaced with four simulants 60-80
92 A RECENT 9CT DIAMOND RING, set seven diamonds, (approximately 30pts in total) 50-70
93 A RECENT 18CT THREE STONE RING, central pink sapphire flanked by a diamond either side, (diamonds approximately 40pts in total) 120-150
94 A RECENT 18CT THREE STONE RING, two trillion cut diamonds flanking a central emerald, (approximately 40pts in total) 150-180
95 A RECENT 18CT THREE STONE RING, central smokey quartz flanked by two diamonds, (approximately 70pts in total) 180-220
96 A RECENT 9CT TANZANITE AND DIAMOND THREE STONE RING 70-90
97 A RECENT 9CT DIAMOND RING, set with eleven pairs of diamonds, (approximatley 70pts in total) 120-150
98 A RECENT 9CT THREE STONE RING, central blue zircon (?) flanked by a diamond either side 70-90
99 A RECENT 9CT WHITE GOLD DIAMOND HALF HOOP RING, set nine small diamonds 40-60
100 A RECENT 18CT DIAMOND CLUSTER RING 80-120

101 A SAPPHIRE AND DIAMOND RING 800-1200

102 A RUBY AND DIAMOND RING 1000-1500

103 A PAIR OF AMETHYST EARRINGS, early 20th Century, mounted in gold, cabachon screw fittings, suspended with a string of seed pearls terminating in a penduloque amethyst (2) 80-120

104 A VICTORIAN 15CT MOURNING RING, ( Birmingham 18??), heart shape applied to front, black enamel, set seed pearls 70-80

105 A VICTORIAN DRESS RING, Birmingham 1899, 9ct, set five amethysts 50-60

106 A RECENT 18CT SIGNET RING, set cabachon ruby and diamond baguettes to the shoulders 300-350

107 A PAIR OF 18CT WHITE GOLD EARRINGS, set chequer board diamond and sapphires (2) 120-150

108 AN 18CT WHITE GOLD SAPPHIRE BAGUETTE DIAMOND CLUSTER RING 150-200

109 AN 18CT WHITE GOLD DIAMOND RING, cluster shape 750-850

110 AN 18CT WHITE GOLD DIAMOND CLUSTER RING, the out ring baguette set 800-1200

111 AN 18CT WHITE GOLD CLUSTER RING, a set amethyst and diamond, (approximately 2ct total diamond weight) 700-800

112 A RECENT 9CT NEKCLACE AND A MATCHING BRACELET (2) 100-120

113 A PLATINUM NECK CHAIN 150-180

114 A 9CT NECK CHAIN, (ball effect) and a matching bracelet (2) 100-120

115 A 9CT NECKLET, set with a solitaire diamond pendant, (approximately 12/15pts in total) 80-120

116 A RECENT 9CT RECTANGULAR GALLERIED STONE SET PENDANT, on a fine chain with a matching pair of earrings (3) 40-60

117 A RECENT 18CT PENDANT, set with a tanzanite and small diamond, suspended on an 18ct chain 60-80

118 AN 18CT PENDANT, set amethyst with three small diamonds suspended on an 18ct chain 80-100

119 TWO 9CT PENDANTS, on 9ct chains, one set with four pink stones, the other with sapphires and c.z's (2) 60-80

120 TWO RECENT 9CT NECKCHAINS (2) 100-150

121 A RECENT 18CT WHITE GOLD NECKLET, suspended with a diamond set cross 80-120

122 A CASED SET OF SIX BATCHELOR BUTTONS, c.1920, set with mother of pearl, blue enamel borders 30-40

123 A CASED BLUE ABALONE CIGARETTE HOLDER, the 9ct mount Chester 1906 a celluloid pocket cigarette case, the hinge London 1922 and another example (3) 40-50

124 A QUATREFOIL BROOCH, late Victorian, set with smokey quartz, scroll mount, (tests as 9ct gold) 80-100

125 A VICTORIAN MOURNING BROOCH, white jadeite oval incorporating a hair panel, scroll mount, a rope rose gold bar brooch and a coral effect necklace (3) 30-50

126 A SILVER SOVEREIGN FOB, bright cut engraved, Birmingham 1892, on a chain 70-90

127 A 9CT FAR EASTERN WHITE GOLD BRACELET, of openwork design set with five carved jade roundlets 80-100

128 A JADE DRESS CLIP, mounted in white gold set with seven diamonds, the jade carved with a prunus branch 150-250

129 AN OVAL CONCH CAMEO BROOCH, showing two classical maidens collecting fruit, signed G.G, the 9ct mount Birmingham 1899 200-250

130 TWO AGATE SET PIECES OF SCOTTISH JEWELLERY, comprising circular brooch, ( Birmingham 1975) and matching bracelet, ( Birmingham 1976) (2) 50-70

131 AN EARLY VICTORIAN DIAMOND BUCKLE BROOCH, of sixteen old cut diamonds silver set, gold mounted, (approximately 3ct total weight) 1200-1500

132 AN EDWARDIAN BAR BROOCH, (tests as high carat gold) set six old cut diamonds and central sapphire 400-500

133 A HIGH CARAT OPENWORK STAR PENDANT, c.1890, set with opals and green stones, (possibly demantoid garnets) suspended on a 15ct chain 400-600

134 A 15CT BRACELET, set with pearls and turquoise 250-300

135 A SCOTTISH BRACELET, c.1890, of polished agate beads, joined by a heart shaped link 50-80

136 A SUBSTANTIAL STERLING SILVER ALBERT, the links marked, and a matching bracelet (2) 80-100

137 A BELLE EPOQUE NAPKIN CLIP, (tests as high carat) and an enamel gilt metal example (2) 30-50

138 A ROSE GOLD POCKET PENCIL, another silver, Birmingham 1902, and two others unmarked (4) 40-60

139 A 9CT CHARM BRACELET, with six charms and a padlock 70-100

140 A SUITE OF COURT BUTTONS, polished steel, with sword toggle and paste shoe buckles and a Georgian closed back ring, (parcel) 50-80

141 A CIRCULAR BROOCH, 20th Century, gold setting with trefoils of rubies interspaced by pearls 60-80

142 A HIGH CARAT GOLD CIRCULAR BROOCH, mid 19th Century, diamond set bow and pearls 80-120

143 A GOLD BAR BROOCH, early 20th Century, set with oval moss agate plaque, the openwork frame set with small diamonds 40-60

144 AN ART DECO BAR BROOCH, 1920's/1930's, scroll shaped set with a large blue zircon and diamonds, in original presentation case labelled Ernest Paitschs 600-800

145 A BELLE EPOQUE BROOCH/PENDANT, c.1880-1910, oval openwork frame set with old cut diamonds, (approximately 2.50cts in total) 800-1000

146 A 9CT ART NOUVEAU PENDANT, openwork frame set with large red stone surrounded by seed pearls and a turquoise droplet 70-100

147 A DIAMOND TENNIS BRACELET, (approximately 10ct in total) 2500-3500

148 A HIGH CARAT BAR BROOCH, (unmarked) crop and wishbone form, centrally set trefoil of ruby, sapphire and diamond 50-60

149 A 9CT BAR BROOCH, central star set seed pearls and a diamond, (approximately 15pts) 40-50

150 A 9CT OPENWORK PENDANT, set seed pearls and a central turquoise, suspended on a 9ct chain 60-70

151 TWO GARNET SET BROOCHES, c.1900, low carat gold mounts (2) 70-80

152 A DIAMOND BAR BROOCH, early 19th Century, set graduated flat-back diamonds 80-100

153 A VICTORIAN HIGH CARAT LOCKET, (tests as high carat), applied ruby and seed pearl decoration

154 A 15CT BLUE ENAMELLED LOCKET, on a 15ct chain 80-100

155 AN 18CT WHITE GOLD CROSS, diamond set, on an 18ct gold chain, (approximately 1ct of diamonds in total) 180-220

156 A YELLOW METAL HINGED BRACELET, c.1920, set pearls, (tests as gold) 80-120

157 A 9CT VICTORIAN AESTHETIC CIRCULAR BROOCH, locket verso 40-50

158 A RUBY GLASS TAZZA, c.1890, clear pincered border, diameter 21cm 50-60

159 A PAIR OF GREEN TAPERED GLASS VASES, late 19th Century, Mary Gregory type decoration, height 25cm (2) 40-60

160 A RUBY GLASS JUG, clear loop handle, height 15cm 40-50

161 AN ART DECO FROSTED GLASS TABLE LAMP BASE, English c.1920's/30's, moulded as a female nude, height 22cm 70-90

162 A SET OF SIX RUBY FLASHED GLASS GOBLETS, 20th Century, facet cut bowls, clear knop stems (6) 40-60

163 A CLEAR CUT GLASS DRESSING TABLE SET, early 20th Century, six pieces including oval tray employing various deep/shallow and etching techniques (6) 50-80

164 A PAIR OF ART DECO RECTANGLE VASES, with moulded frosted glass nymph panels, unmarked, height 9cm (2) 40-50

165 A SUITE ELEVEN ART NOUVEAU WINE GLASSES, early 20th Century, stylised gilt decoration to the bowls, green stems and feet, height 22cm (minor frits) (11) 80-120

166 A GEORGE III PUNCH BOWL, c.1780, vandyked monteith rim, hollow cut diamond bowl, cut base, diameter 22cm 80-120

167 A ROYAL WORCESTER SAUCER DISH, c.1755-1765, scale blue ground reserving floral panels, blue seal mark, diameter 19cm (restored) 40-60

168 A ROYAL WORCESTER FIGURINE, Tuesday's Child is Full of Grace, height 20cm 70-80

169 A ROYAL WORCESTER FIGURINE, Monday's Child is Fair of Face, height 16cm 70-80

170 A ROYAL WORCESTER FIGURE GROUP, Woodland Dance, No.3076, modelled by F.G. Doughty, height 11cm 120-150

171 A ROYAL WORCESTER OVAL PLAQUE, painted with Highland Cattle grazing, signed J. Stinton, width 10cm, set into the lid of a silver hallmarked table cigarette casket 400-600

172 A MINTONS ART STUDIO POTTERY BALUSTER VASE, c.1880, decorated in the Aesthetic style with bird upon a flowering branch, in polychrome, height 26cm 250-300

173 A MACINTYRE MATCH STAND OF WWI INTEREST, brown transfer prints, 'The Absent-Minded Begger', height 7cm (wear) 40-60

174 A SALT-GLAZED STONEWARE SNUFF CANISTER, c.1820, pewter mount, high relief sprigged decoration, height 13cm 50-70

175 A WHEELDON TORTOISESHELL WARE DINNER PLATE, c.1770, moulded gadroon rim, (old collectors label verso) diameter 24cm 80-120

176 A ROYAL DOULTON ORNITHOLOGY CABINET PLATE, painted with Land Rail, signed G. Wilson, raised gilt border, diameter 22cm 40-50

177 A ROYAL COPENHAGEN BOTANICAL CABINET PLATE, decorated with 'Thymus Serpyllum', gilt border, diameter 22cm 40-50

178 A SHELLEY MODE ART DECO PART TEASET, 1930's, pattern No.11779, (stripes and silver lustre) comprising six cups, six saucers, six tea plates, cake plate, cream jug and sugar bowl, (three cups with hairlines) 400-600

179 A SPODE ROYAL COMMEMORATIVE TWIN-HANDLED BALUSTER VASE AND COVER, 2002, decorated with a view of Buckingham Palace and Windsor Castle, soft gilt detailing on a dark blue reserve ground, Limited Edition No.38/100, with documentation, height 31cm 200-300

180 A BURSLEY WARE THREE PIECE GARNITURE, comprising low twin handled vase flanked by a pair of baluster vases, tube-lined Seed Poppy design, height of largest 28cm, (one baluster vase damaged at the opening) (3) 120-150

181 A TIN GLAZED EARTHENWARE PLATE, Liverpool, c.1765, underglaze fence and garden design, diameter 25cm 60-80

182 A PAIR OF STAFFORDSHIRE FLATBACK SPILL VASES, 19th Century, Harvest gatherers, polychrome decorated, height 34cm (2) 70-90

183 A MACINTYRE MOORCROFT FLORIAN WARE BALUSTER VASE, c.1900, tube-lined Cornflower design, printed mark, Rd No.326471, M865 and green 'W.M' monogram, height 22cm, (opening restored) 300-400

184 A ROYAL DOULTON FLOW BLUE OVAL WALL PLAQUE, c.1900, two young girls in a woodland landscape, ebonised frame, height 25cm 80-120

185 AN ART DECO HARD PASTE FIGURE OF A PIEROT, (possibly Russian) balancing a ball upon his head, soft gilt detailing, circular plinth, unmarked, height 26cm 100-120

186 A DRESDEN DEMITASSE SET, c.1910, Deutchesblumen decoration, gilt borders, in original fitted presentation case, (one saucer damaged) 50-80

187 A SUTHERLAND PINK LUSTRE WALL PLAQUE, early 19th Century, transfer printed motto 'Prepare to meet thy God ', width 24cm 70-90

188 A COPELANDS CHINA TWIN HANDLED SLEEVE VASE, late 19th Century, decorated in the Rococo Revival style with painted floral panel contained in raised soft gilt scroll borders on a pastel green ground, height 21cm 100-150

189 A PAIR OF ROYAL WORCESTER TWIN-HANDLED PEDESTAL VASES, with covers, 1909, painted by R. Sebright with a still life fruit panel reserved against a deep blue and gilt ground, shape No.1937, height 24cm, (Notes: both vases have restorations) (2) 1000-1500

190 A PAIR OF DAVENPORT CABINET PLATES, early 19th Century, over-painted floral and insect transfers, soft gilt borders, one with impressed anchor mark, diameter 23cm,together with a similar Derby Duesbury plate, diameter 21cm (3) 80-120

191 A CANTAGALLI MAIOLICA EWER, painted with cherubs amongst orange trees, with scrolled serpent handle, painted cockerel mark, height 36cm, (glaze chips to lip, handle and footrim) 150-250

192 A MEISSEN DESSERT SERVICE, 19th Century, twenty-one pieces, comprising two large baskets, four smaller and fifteen plates, basket pierced borders, underglaze blue decoration, printed marks (21) 120-150

193 A COPELAND & GARRETT NEW BLANCHE CHILDS DINNER SET, c.1840, underglaze blue Italianate transfer, comprising five tureens/covers, two sauce boats, two serving dishes, ten soup plates, ten dinner plates, ten side plates, six various sized oval platters, printed and impressed marks (45)400-600

194 A MACINTYRE MOORCROFT FLORIAN WARE BOTTLE VASE, late 19th Century, printed marks, Rd No.326689, green W.M monogram, height 15cm, (opening restored) 150-180

195 A SHELLEY QUEEN ANNE PART TEASET, 'Daisy' pattern, No.11497, comprising cream jug, sugar basin, six cups, six saucers, six tea plates and one cake plate 180-220

196 A COALBROOKDALE GARNITURE OF THREE VASES, c.1830, florally encrusted, height of largest 26cm, (minor damage) (3) 100-120

197 A COTTAGE PASTILLE BURNER, 19th Century, pagoda roof, florally encrusted, height 16cm (s.d.) 40-60

198 A CROWN DUCAL CIRCULAR CHARGER, tube-lined floral decoration in the manner of Charlotte Rhead, diameter 31cm 80-100

199 A PAIR OF ROYAL WORCESTER FIGURINES, 1951, 'March' (3454) and 'April' (3416) modelled by F. Doughty, height 16cm (2) 120-150

251 A PAPIER MACHE BASKET, c.1850, Peacock and rococo gilding, cast ormolu swing handle, diameter 26cm 40-60
252 A MAUCHLINE WARE CIRCULAR BOX, racing subject, a photograph album, and a smaller box (3) 30-50
253 A PAIR OF ROWLAND WARD DESK ACCESSORIES, inkstand and ashtray, horse hooves with brass mounts, each engraved 'Jack 1886-1888' and stamped with retailer's mark, The Jungle, London, width 16cm (2) 80-120
254 A PAIR OF IVORY OKIMONO FIGURES, 20th Century, carved as bearded immortals, wooden plinths, height 27cm (2) 80-120
255 A PAIR OF IVORY OKIMONO FIGURES, 20th Century, cavered as bearded immortals, one with a knarled staff, wooden plinths, height 27cm (2) 80-120
256 A PAIR OF IVORY OKIMONO FIGURES, 20th Century, carved as oriental lady with flute and lady with basket, wooden plinths, height 27cm (2) 80-120
257 A LATE GEORGIAN TORTOISESHELL NEEDLE CASE, formed as a miniature flatware box, height 5cm, (base s.d.) 40-60
258 A POLISHED AGATE DESK SEAL, 19th Century, height 5cm 20-30
259 A PAIR OF GILT METAL OPERA GLASSES, early 20th Century, mother of pearl and abalone barrels, cased and a smaller pair (2) 40-60
260 A SELECTION OF JADE, to include a Celadon Jade, twin handled vase and cover, carved arabesques and gratesque marks, height 13cm, (one ring handle re-glued), a mottled ring handle vase and cover, height 15cm, (restored) a twin handled low bowl and a bead necklace (4) 80-120
261 A NOVELTY TREEN MONEY BOX, c.1920's, modelled as an oriental pagoda, height 15cm 30-40
262 A GEORGIAN TORTOISESHELL TEA CADDY, of serpentine form, the interior with twin lidded compartments, treen bun feet, width 15cm 600-800
263 MARKHAM GERVASE, 'Markham's Masterpiece..Smith..Leach..Farriery..1662' thick octavo contemporary calf Elstrak's copper line engraved frontispiece, one woodblock folding plate and three in the text, (lacks rear end paper only) 150-250
264 RACKHAM ARTHUR, (Illustrator) 'The Ingoldsby Legends' 1907, thick quarto, cloth 80-120
265 A SERIES OF TOLE DOCUMENT CASES, in the shape of folio library buildings 1876 (6) 250-350
266 JOHNSON SAMUEL DR, a facsimile edition of the 1755 'Dictionary' two volumes folio, leather effect in ship case 80-120
267 A RELIC OF RECUSANT HISTORY, c.1590 'Breife Meditations of the Scarement' jesuit import, duodecimo, contemporary full calf (in contemporary secretary hand 'S. Cedd' and a pious verse by the owner Margaret Darley (Derk)) 100-150
268 CHEESE, BERNARD, (B.1923), 'Bonfire in a Hedgerow', colour lithograph, No.37/50, signed in pencil below, Zwemmer Gallery label verso, framed, 48cm x 67cm 100-150
269 DONALDSON, J.H, landscape study of a pool in sunset, watercolour, signed and dated 1882 lower left, framed, 24cm x 32cm 50-80
270 STEWART, W.A, (1882-1953), a market scene, Cairo, watercolour heightened, signed and dated 1917 lower left, framed, 25cm x 34cm 150-180
271 ROBERTS, SPENCER, (1920-1987), portrait of three Fox Hounds, pastel heightened, signed and titled lower right, framed 24cm x 50cm 100-120
272 MCCORMICK, ARTHUR, DAVID, (1860-1943), 'The Fairies Playground', a bluebell wood, watercolour, signed lower right, titled in pen verso, framed 36cm x 49cm 300-400
273 MANNING, J.A, (19TH/20TH CENTURY), extensive landscape with rabbits to the foreground, watercolour, pen and ink, signed lower right, 37cm x 52cm, framed 120-150
274 HOLLAND, CHARLES M, (late 19th/20th Century) 'Loch Hope, Sutherlandshire', watercolour, signed and dated 1887 lower right, bearing hand written title, date and attribution verso, framed, 35cm x 52cm 80-120
275 SAVAGE, ERNEST, (1906), a pair of idyllic landscapes, watercolours, each signed lower left, framed, 20cm x 37cm (2) 120-150
276 EDWARDIAN SCHOOL, canal scene, Bruges, watercolour, unsigned, indistrict attribution label verso, framed, 55cm x 39cm 50-80
277 KINNAIRD, HENRY JOHN, (?-C.1920), 'A Surrey Cornfield', watercolour, titled lower left, signed lower right, gilt gallery frame, 34cm x 54cm, (dust stain centre) 700-900
278 SYDNEY, W, (XIX - XX), a coastal scene with gull infested crags and fishing folk, watercolur heightened, signed and dated 1884 lower left, later frame, 28cm x 42cm 100-120
279 SYDNEY, W, (XIX - XX), a coastal scene with lobster catchers mid foreground, watercolour heightened, signed and dated 1884 lower right, later frame, 30cm x 46cm 100-120
280 STEVENS, A.G, (XIX - XX), a marine view, watercolour, signed lower left, framed, 18cm x 26cm 180-220
281 CATANO, FRANK, (XIX - XX), an Italian lake scene with fishing boats and figures foreground, watercolour, signed lower right, framed, 28cm x 48cm (light Foxing) 300-400
282 CIRCLE OF FRANK GOODALL, late 19th Century, Nile scene with figures and men on camels, watercolour, unsigned, later frame, 24cm x 48cm 200-250
283 19TH CENTURY SCHOOL, a busy street scene of a continental city with figures in the costume of period of Frederick the Great, watercolour, unsigned, framed, 65cm x 42cm 300-400
284 G.R.S, (MONOGRAM), late 19th Century, view across the trancept Toledo Catherdral, incorporating figures and a procession, watercolour, monogram lower right, titled lower left, framed, 34cm x 25cm 150-180
285 HODSON, SAMUEL JOHN, (1836-1908), a pair of Italian Chapel interiors with figures, St Mark's, Venice and Palazzo Vecchio, Sienna, watercolours heightened, signed and dated 1890/92, later frames, 27cm x 40cm, (label remnants) (Provenance: Sotheby's Belgravia, 1974) (2) 500-800
286 CURNOCK, JAMES JACKSON, (1839-1892), landscape study, view from a country lane, cattle shading below trees foreground, watercolour heightened, signed and dated 1858 lower right, later frame, 46cm x 68cm 150-250
287 FLINT, WILLIAM RUSSELL, (1880-1969), a mediterranean seascape with figures on beach and in sea foreground, backdrop of stone building and trees, pure watercolour heightened, signed lower left, framed, 20cm x 32cm 3000-4000
288 WEBB, EDWARD, (C.1805-1854), a Welsh landscape with figures foreground, watercolour heightened, signed and dated 1831 lower right, later framing, 40cm x 52cm 300-400
289 TROMBINI, GIULIANI, (1953), study of three figures in Holyrood Tavern, oils on canvas, signed lower centre, framed, 50cm x 70cm 250-350
290 A PORTRAIT OF THE 1907 GRAND NATIONAL WINNER 'EREMON', with trainer/owner, (believed to be contemporary) signed lower right 'Frank Griggs, Newmarket', framed 17cm x 22cm 50-80
291 HOWELL, A.S, (XX), 'For Freedoms Sake', study of WWII aircraft in mid-air conflict, oils on canvas, signed and dated 1941 lower right, 60cm x 90cm, (literature: PG 95, 'Men at Work', A.S. Howell) 200-300
292 HOWELL, A.S, (XX), 'Protecting Our Life Line', study of WWII aircraft and battleships in conflict, oils on canvas, signed and dated 1943 lower right, 60cm x 90cm, (canvas tear) (literature: PG 94, 'Men at Work', A.S Howell) 200-300
293 HOWELL, A.S, (XX), 'Fortitude', study of two WWII Firefighters, oils on canvas, signed and dated 1942 lower right, 90cm x 60cm, (literature: PG 93, 'Men at Work', A.S. Howell) 300-500
294 LINSLEY, W, (XX), oval Autumnal landscape with falls foreground, oils on board, signed lower right, framed, 30cm x 38cm 120-150
295 NINETEENTH CENTURY ITALIAN SCHOOL, a campana scene with longhorn cattle and maid foreground, classical ruin right, oils on canvas, unsigned, later framing, 58cm x46cm 700-900
296 EARLY 19TH CENTURY BRITISH SCHOOL, a Welsh landscape with figures, cart stone bridge foreground, mountainous background, oils on canvas, unsigned, recent framing,36cm x 44cm 80-120
297 GARLAND, HENRY, (XIX-XX), 'The Three Sisters, Glencoe', oils on canvas, signed and dated 1898 lower left, titled on the filet and verso, contemporary gilt gallery frame, 50cm x 70cm 2000-3000
298 HOEPFNER, FRANZ, Germanic woodland landscape, falls and fisherman foreground, oils on canvas, signed and dated 1881 lower right, later frame, 40cm x 60cm 100-120
299 THORS, JOSEPH, (1843-1898), an extensive landscape, water, cottage, cattle and figures foreground, oils on (re-lined) canvas, signed lower left, later frame, 60cm x 90cm 1200-1800
300 (CIRCLE OF)HUGGINS, WILLIAM (1820-1884), portrait of Lion and Lioness, oils on canvas, unsigned, contemporary gilt gallery frame, 50cm x 70cm 800-1200

301 FAIRNWELL, H, (19th Century) farmyard study, with goat, rabbits and pigeons, oil on canvas, signed and dated 1889 lower right, framed, 44cm x54cm 250-300
302 SMITH, W, mid 19th Century, a pair of half-length portraits, lady and gentleman oils on canvas, signed, one dated 1856, contemporary gilt gallery frames, 90cm x 70cm (2) 400-600
303 WRIGHT OF DERBY, JOSEPH, (1734-1797), a Derbyshire moonlight scene, oils on re-lined canvas, in contemporary Carlo Maratta gilt frame, manuscript gallery label verso 'Moonlight, Wright of Derby, the Property of Mrs Collins, Hillingdon Grove, Uxbridge, (18)84' 46cm x 66cm 10000-20000
304 ATTRIBUTED TO GRANT, FRANCIS, (1803-1878), portrait of Mrs James Morrell, half length oils on canvas, unsigned, attribution label verso and dated 1855, contemporary gilt gallery frame, 92cm x 69cm 800-1200
305 MID VICTORIAN SCHOOL, study of a young fruit girl and her Spaniel, oils on canvas, unsigned, gilt frame, 75cm x 50cm 250-350
306 WHEELER, JOHN, ALFRED, (1821-1903), study of two pointers on the scent, oils, signed lower left, gilt frame, 30cm x 35cm 400-600
307 WELLS, JOHN, SANDERSON, (1872-1955), portrait of Sir Walter Raleigh (1552-1618) oils on canvas, signed lower left, framed, 42cm x 28cm 800-1200
308 HORSLEY, JOHN CALCOTT, (R.A) (1817-1903), a domestic pastoral scene with figures, oil on canvas, unsigned, attribution on the tablet, contemporary exhibition gilt gallery frame, 62cm x 78cm(The little boy far right has stolen a robins egg, his grandmother centre holds it. Returning home his father is told of the prank, in 1868 Horsley exhibited on work at The Royal Accademy entitled ‘Detecected’) 25000-35000
309 ENGLISH SCHOOL, first half of the 19th Century, portrait of a Royal Artillary Field Officer, oils on re-lined canvas, unsigned, later frame, 90cm x 70cm 300-400
310 A RECUSANT OIL PAINTING ON OAK PANEL, 17th/18th Century, St John (The Divine) with his eagle, shown seated full length in an interior gazing outside and writing the fourth gospel, (later framing) 24cm x 19cm 150-250
311 MEEGAN, W, (1859-1944), a winter moonlight scene, sailing vessels on stream foreground, oils on canvas, signed lower right, later frame, 30cm x 25cm 150-250
312 WESTALL, JOHN, (act. 1873-1893), figures on a country track with cottage and cattle on bridge beyond, oils on re-lined canvas, signed lower left, dated on the stretcher 1873, later gilt frame, 45cm x 82cm 500-600
313 STUART, CHARLES, (act.1854-1904), Highland landscape with Stag and Loch foreground, oils on re-lined canvas, signed lower left, later gilt frame, 42cm x 60cm 800-1200
314 STUART, CHARLES, (act. 1854-1904), 'Llyn Cwellwyn, Castell Cadarm, North Wales', oils on re-lined canvas, signed and dated 1892 lower right, titled in pencil on the stretcher, later gilt frame, 60cm x 44cm 800-1200
315 CLARE, OLIVER, (1853-1927), still life study of apples, strawberries, peach, green gauges on a mossy bank, oils on canvas, signed lower right, later gilt frame, 35cm x 27cm 800-1200
316 19TH CENTURY DUTCH SCHOOL, an ice scene on a frozen polder, barbican left, figures foreground, oils on oak panel, unsigned, later gilt frame, 36cm x 56cm 200-300
317 GREGORY, G, (1849-1938), a moonlight seascape with steam boat and sailing ship in the distance, oils on board, signed and dated 1886 lower left, recent framing, 10cm x 15cm 300-400
318 19TH CENTURY SCHOOL, (1870), a pair of domestic conversation pieces, one showing girl teasing kitten with her mother's skein of silk, the other mother dressing daughter for fancy dress party, oils on canvas laid down on board, unsigned, contemporary gilt gallery frames, 24cm x 27cm (2) 400-600
319 A FRENCH ORMOLU MANTEL CLOCK, second Empire, surmounted by a figure of an 18th Century philosopher, stamped 'P.H. Mourey, 64', 8cm enamel Roman dial, the movement signed 'Japy Freres', height 35cm, (key and pendulum) 120-150
320 A WHEEL BAROMETER, 19th Century, swan neck pediment, strung flame mahogany case, hygrometer, thermometer, convex looking glass, 20cm silvered dial, ivory turning knob, level, height 96cm 120-150
321 A TURKOMAN RUG, three cream pole medallions on an indigo ground 150cm x 100cm another and a third distressed (3) 40-60
322 A TURKOMAN RUNNER, a series of five floral medallions on an indigo ground with in a multi strap border 280cm x 100cm 30-50
323 A VICTORIAN TEAPOY, burr walnut veneered on oak caddy top, opening to a contemporary mixing bowl, knulled carved column, cabriole base, height 82cm 400-600
324 A VICTORIAN MAHOGANY MUSIC CABINET, raised mirror back, frieze drawer over a bevel glazed door opening to sheet music shelving, French cabriole legs, presentation plaque dated 1896, height 150cm, width 55cm 250-350
325 A FIGURED WALNUT OCCASIONAL TABLE, c.1890, square top with oval drop flaps, reeded serpentine legs united by a circular gallery undertier, width 45cm 150-250
326 A MAHOGANY PEMBROKE TABLE, early 19th Century, in the manner of Gillows, reeded flaps, boxwood strung throughout, single frieze drawer, brass cappings and castors, width 96cm 400-600
327 A MAHOGANY ART-NOUVEAU VITRINE, early 20th Century, of stepped outline, width 105cm 400-600
328 A BELLE EPOQUE OVAL VITRINE, marble slab top, glazed sides, kingwood banded and strung, height 112cm 300-400
329 A WILLIAM IV ROSEWOOD GAMES TABLE, baize lined top, tapered column, quatrefoil plinth, lobed feet, width 92cm 400-600
330 A VICTORIAN FLAME MAHOGANY CORNER WHATNOT, of four graduating pendant tiers linked by baluster turned columns, height 145cm 180-220
331 A PATCHWORK BED COVER, 19th Century, arrangements of hexagon of European printed cotton dress fabrics and pique, 220cm x 200cm 180-220
332 A PATCHWORK BED COVER, c.1820-1830, arrangements of hexagon of printed dress fabrics, within a border of appliqued furnishing glazed chintzs and cottons, 220cm x 200xm 180-220
333 A CRADLE PATCHWORK BED COVER, (double sized) c.1820, arrangements of square lilac tones of dress fabrics, and furnishing, 135cm x 77cm, (stained) 50-70
334 A PATCHWORK BED COVER, 19th Century, arrangements of hexagons of printed and glazed dress fabrics as stellar motifs, (unfinished) 220cm x 200cm 180-220
335 A PATCHWORK BED COVER, mid 19th Century, arrangements of hexagons of printed dress fabrics to form lozenges, 240cm x 240cm 180-220
336 A TEXTILE SAMPLER, worked in coloured threads on coarse linen, alphabetical, pictoral, (cat,dog figure), and mottos, Elizabeth Chadwick, aged 11, 1818, recent framing, 42cm x 26cm 80-120
337 A DUNHILL HUMIDOR, brass strung coromandel, fitted interior containing smoking requisites, width 30cm 180-220
338 A REGENCY ROSEWOOD TEA CADDY, of sarcophagus form, ring handles, fitted interior with central clear cut glass mixing bowl (s.d.) flanked either side by removable lidded tea canisters, bun feet, width 36cm 150-180
339 A TRADITIONAL FRUITWOOD CHILDS STOOL, 18th/19th Century, width 20cm 40-60
340 A VICTORIAN AMBOYNA VENEERED WRITING SLOPE, fitted and grained interior, width 30cm 80-120
341 AN ITALIAN OLIVE WOOD BOOK REST, late 19th/early 20th Century, fret cut with a marquetry inlaid panel, height 40cm 50-70
342 A MAHOGANY GAMES COMPENDIUM, early 20th Century, hinged caddy top, fitted interior, hardwood banded corners and lozenge escutcheon, plinth, width 31cm 80-100
343 A LATE GEORGIAN MAHOGANY CAMPAIGN WRITING SLOPE, brass bound, fitted interior, width 30cm 50-70
344 A REGENCY ROSEWOOD TEA CADDY, of sarcophagus form, egg and dart borders fitted interior, (incomplete) ring handles, lobed feet, width 31cm 100-150
345 A LATE GEORGIAN MAHOGANY LAP DESK, tambour top opening to reveal a fitted interior, width 38cm 70-80
346 A CAST BRONZE TABLE LAMP BASE, late 19th Century, grotesque mask handles, hexagonal plinth, height 60cm (in all) 100-120
347 A JOHN PEARSON COPPER JARDINIERE, the frieze decorated in high relief with flowering foliage on a hammered ground, the base with incised signature, date 1894 and No.2131, height 19cm 300-500
348 A PAIR OF ORMOLU HALL PENDANT LIGHT FITTINGS, early 20th Century, frosted cut to clear glass tear drop shades, tassle embellishments, matching suspension hooks, height 82cm (2) 200-300
349 A PAIR OF BRASS GEORGIAN CANDLESTICKS, c.1750-1760, reeded tapering columns on square dished bases, height 26cm (2) 60-80
350 A PAIR OF NOVELTY CAST IRON MONEY BOXES, late 19th/early 20th Century, modelled as grinning negro figures each wearing a red bow tie, blue jacket and red pants, height 17cm (2) 80-120
351 A MUGHAL STYLE SPECIMEN TABLE TOP, octagonal, white marble inlaid with a floral design in polished malachite, mother of pearl, lapis, turquoise etc, 51cm x 51cm 120-150
352 A MAHOGANY CASED BAROGRAPH, with ivorine plaque 'Davis & Son' London and Derby, chart drawer to frieze, width 36cm 120-150
353 A COPPER TRAY ATTRIBUTED TO EUSTACE BROTHERS, copper work, rectangular, the bed with hammered finish surrounded by Arts and Crafts stylised tendril motifs, (unmarked) width 58cm 50-80
354 A PENDANT LIGHT FITTING, 20th Century, metal frame, baroque glass drops, wired for electricty for eight lights, height 60cm 180-220
355 A MAHOGANY AND BOXWOOD STRUNG SHERATON REVIVAL BONHEUR DU JOUR, c.1890 classical transfer decoration stationery compartment, bowfront flame mahogany top, fitted frieze drawer incorporating writing surface, on tapered block legs terminating in brass castors, width 91cm 600-800
356 A SATINWOOD SUTHERLAND TABLE, c.1880, crossbanded and strung top, on fluted corinthian column supports, width 84cm 300-500
357 A MAHOGANY QUARTETTO NEST OF FOUR OCCASIONAL TABLES, early 20th Century, parquetry strung decoration, width of largest 57cm 80-120
358 A GEORGE III MAHOGANY AND STRUNG TOILET MIRROR, on bowfront plinth base, fitted three small drawers, width 61cm 120-150
359 A GEORGE III MAHOGANY CHEST OF DRAWERS, of small proportions, crossbanded top, the top drawer incorporating brushing slide, above four long drawers, brass handles, on bracket feet, width 85cm 400-600
360 A SET OF SIX WILLIAM IV MAHOGANY DINING CHAIRS, scrolled carved and button upholstered backs, stuffed over seats, on reeded front legs (6) 400-600
361 A VICTORIAN MAHOGANY BREAKFRONT SIDEBOARD, c.1860, scrolled carved backboard, four frieze drawers, on twin pedestal base, width 186cm 600-800
362 A VICTORIAN MAHOGANY WIND-OUT D-END DINING TABLE, c.1860, two additional leaves, on four lobed and tapered legs terminating in ceramic castors, width 122cm x length fully extended 242cm 800-1200
363 A SET OF FOUR REGENCY EBONIZED AND GILT SALON CHAIRS, c.1825, drop in seats, sabre front legs (4) 200-300
364 A PAIR OF GEORGE III MAHOGANY DINING CHAIRS, Chippendale design, c.1760, pierced ogee scrolled backs, stuffed over seats, on reeded block legs linked H-stretchers (2)300-400
365 A VICTORIAN ROSEWOOD WRITING TABLE, two frieze drawers and two false drawers, carved carbiole legs, width 136cm (base s.d.) 500-700
366 A SET OF SIX WILLIAM IV MAHOGANY DINING CHAIRS, acanthus carved back slats, drop in seats, on reeded legs (6) 300-400
367 A MAHOGANY BREAKFAST TABLE, 19th Century, oval tilt top, on sabre tripod base, oval length 154cm 200-300
368 A GEORGE III COUNTRY OAK SIDE TABLE, frieze drawers, on block legs, width 100cm 100-120
369 A SET OF FOUR VICTORIAN WALNUT SALON CHAIRS, c.1855, foliate carved open backs, stuffed over upholstery, serpentine outline, on cabriole front legs (paper label, Maris of The Square, Birmingham, makers between 1850-1890) (4)450-650
370 A MAHOGANY BREAKFAST TABLE, 19th Century, rectangular tilt-top, carved carbiole base, width 142cm 200-300
371 A BOULLEWORK CABINET STAND, c.1870, ormolu mounts fitted single frieze drawer, on tapered block legs linked by x-stretcher with undertier, width 72cm 600-800
372 A WILLIAM IV ROSEWOOD BREAKFAST TABLE, circular tilt-top, on lobed column, circular plinth and three Lions paw feet, diameter 130cm 400-600
373 A VICTORIAN ROSEWOOD BREAKFAST TABLE, circular tilt-top, on cabriole tripod base, diameter 120cm 400-500
374 A BOUDOIR GRAND PIANO, Cramer of London, No.50576 300-500
375 AN EDWARDIAN FULL SIZE SNOOKER TABLE, slate bed, mahogany frame, R. Stevens & Sons, London, with cues, balls and light canopy 600-800
376 A SNOOKER SCORE BOARD, 'Speedy-Reliable', Harold Holt Ltd, 32cm x 87cm 70-100
377 A MAHOGANY TEA TABLE, early Victorian, fold-out top, frieze drawer with applied scroll mouldings, tapered column, quatrefoil plinth, lions paw feet,width 86cm 300-500
378 A BOUDOIR GRAND PIANO, Monington & Weston, No.57569 300-500
379 A PAIR OF SATINWOOD DEMI-LUNE CARO TABLES, 19th Century, Sheraton Revival style, the fold-over tops with extensive inlay of a patera ans strung border, the frizezs inlaid with swags, inlaid tapered block legs termirating in spade feet, width 106cm (2) 2000-3000
380 A TEXTILE SAMPLER, strawberry border, alphabetical and pictoral, worked in coloured threads by Mary Turner, 1837, framed, 43cm x 30cm 80-100
381 A WILLIAM IV MAHOGANY LIBRARY BOOKCASE, upper section with open shelving, the lower section with cupboards and fitted specimen drawers, spiral turned columns and floral carved mounts, height 260cm x width 380cm x depth 52cm (Provenance: Repton School Nr Burton on Trent) 4000-6000